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The progression is a follow: Dm7 - G7 - Cmaj7.Īlso recall that the scale of choice for this Dm7 is the D Dorian scale containing the notes D, E, F, G, A, B, and C, and that the scale of choice for G7 is the G Mixolydian, containing the notes G, A, B, C, D, E and F. Why those choices? And not, for instance, C Dorian and C Mixolydian? We'll because we want to be ready to play on the II-V-I in C major. The last 2 bebop scales in this lesson the D Dorian bebop and the G Mixolydian bebop scales. Some Theory: II-V-Iīefore going any further, we need a little bit of musical theory. This one is played with the fingers 1, 2, and 3 to start the scale. And that's it!īe careful, once again, with the fingerings.
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All we have to do is lower the 3rd note of the scale, so instead of C, D, and E, it's going to become C, D, and Eb. Minor Bebop ScaleĬlosely related to the major bebop, we have the minor bebop scale. Those possibilities are all noted in the PDF. We could have a 2-octave version like this, or we can even start with a C root on the 6th string here, instead of the 5th. Note that we just had a 1-octave version of this scale. The reason for this is it's much easier to stretch between the index and the middle finger, better than stretch with the pinkie, right? Notice that the first 3 notes of this scale are played with the fingers 1, 2, and 4, and not the fingers 1, 3, and 4.
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Here is the fingering for C major bebop scale:īe careful with the fingering here, though. The major bebop scale has a passing tone in between the 5th and 6th degree of the scale.
#Bebop licks guitar pdf
Refer to the PDF please for all the notation (with TABS).įirst, let's look at the major bebop scale. Let's Play!Īll the theory in the world won't make you play better, so let's just look at these four important guitar fingerings for the bebop scales. But in reality, we add a bebop passing tone in a scale by making the important notes, the chord tones, following strong beats. Technically, you could be adding a passing tone randomly (anywhere) within a scale you already know. Obviously, a scale that has 8 notes is better suited for 4/4 time signature than a scale that has only 7 notes. In a few words, the main idea behind the bebop scales is adding one note to a 7-note scale to make it fit the bar of 4/4. What is the so-called Bebop Scale?įirst, what is the so-called bebop scale? There's an older video on YouTube titled, 'The Bebop Scale Demystified,' in which I explain the concept. Here's is the PDF file with the exercises from this lesson.
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Effective Bebop Scales: Download this First! We'll be adding outside notes to familiar scales, so you most likely grasp 95% of this concept already. But how do we add more notes other than the plain inside diatonic ones? Where should we start? Fortunately with bebop scales, the right notes become the starting point of our chromatic adventure. Well, at some point in their development, jazz improvisers usually get tired of fitting the right scales over chords, like Dorian, Mixolydian, and major scales, and you long for a more chromatic approach to soloing.Īfter we can easily fit 'the right scale over the right chord', we often need some sort of new puzzle or new concept to keep things interesting.
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All of the licks are presented over a rhythm track and then broken down note- by- note, technique- by- technique with a thorough explanation of the underlying harmony. Organize your vocabulary of licks by harmonic situations and then plug them into your solos. He wrote many books on Jazz and Improvisation, and among others, 'How To Play Bebop' which is in 3 volumes. As a result, your playing will be enhanced by more jazz-like phrasing using several natural and flowing fingering patterns.ġ01 bebop era patterns for ii - v7 project: David Baker is a notable Jazz educator who extensively studied and codified Bebop. We'll explore four useful, relevant and fun bebop scales fingerings. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.In this lesson we'll be covering the essentials of bebop scales for jazz guitar.
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The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The book includes phrase-by-phrase performance notes tips on arpeggio substitution, scale substitution, tension and resolution, jazz-blues, chord soloing and more and standard notation and tab.
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The audio includes full demonstration and rhythm-only tracks to assist with learning the styles of Kenny Burrell, Jim Hall, Barney Kessel, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith and many others. This item is temporarily out of stock in the Hal Leonard warehouse, but may be available from your favorite local music store or online retailer.Įxamine the solo concepts of top jazz guitarists in this info-packed book with online audio.